In the late 1940s and early 1950s, Robert W. Wood maintained a home in the art colony of Woodstock, New York. He seems to have discovered the Catskill mountains hamlet early in the century, and had began painting there by 1930. In the years after World War II Wood purchased a home there. By some accounts he and his second wife Tula lived in Woodstock together, but according to the dealer Larry Kronquist, who knew him during that time, there was another relationship - possibly a brief marriage - to a woman named Rose, who ultimately followed him back to Laguna Beach, where she was still living in the early 1980s.

It was during this period that Wood began having his most famous works published, working with companies who printed inexpensive color reproductions of works by both contemporary artists and the Old Masters. It was Wood's paintings of the changing seasons around Woodstock that sem to have captivated the public, and his reproductions were immediately popular. The most successful of Robert Woods' Catskill scenes, "October Morn," sold more than one million copies in less than two years for the Donald Art Company. Across America, homes, offices and motel rooms were decorated with his reproductions. These inexpensive paper prints made Robert Wood the most famous American landscape painter of his era.

Wood's rustic studio in Woodstock was located out in the forest, surrounded by maples and elms and a quiet brook. He immortalized this rustic setting in hundreds of paintings, especially ones that depicted the bold colors of autumn. In his artistic oeuvre there are also many depictions of the Catskill Mountains' landscape enveloped in snow, as well as spring compositions with lilacs and blooming apple trees.

From Woodstock, Wood went on sketching trips to New Hampshire, Vermont and along the Maine coast. These subjects are also represented among his Eastern scenes, but are much rarer than the hundreds of paintings done of the Catskill Mountains.

Wood seems to have left Woodstock due to difficulties with his romantic relationship with Rose Wood and her mother, who were determined that the artist should share their religious convictions. So, according to Larry Kronquist, Wood left the two women in the cottage in the woods and returned to the art colony of Laguna Beach.

 
 
   
 
Copyright 2003 Jeffrey Morseburg. Not to be reproduced without specific written permission.
 
 
Robert Wood with collectors Barbara and David Robb, and below painting their Catskills winter scene, August, 1974.