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In
the late 1940s and early 1950s, Robert W. Wood maintained a home in
the art colony of Woodstock, New York. He seems to have discovered
the Catskill mountains hamlet early in the century, and had began
painting there by 1930. In the years after World War II Wood purchased
a home there. By some accounts he and his second wife Tula lived in
Woodstock together, but according to the dealer Larry Kronquist, who
knew him during that time, there was another relationship - possibly
a brief marriage - to a woman named Rose, who ultimately followed
him back to Laguna Beach, where she was still living in the early
1980s.
It
was during this period that Wood began having his most famous works
published, working with companies who printed inexpensive color
reproductions of works by both contemporary artists and the Old
Masters. It was Wood's paintings of the changing seasons around
Woodstock that sem to have captivated the public, and his reproductions
were immediately popular. The most successful of Robert Woods' Catskill
scenes, "October Morn," sold more than one million copies
in less than two years for the Donald Art Company. Across America,
homes, offices and motel rooms were decorated with his reproductions.
These inexpensive paper prints made Robert Wood the most famous
American landscape painter of his era. Wood's
rustic studio in Woodstock was located out in the forest, surrounded
by maples and elms and a quiet brook. He immortalized this rustic
setting in hundreds of paintings, especially ones that depicted
the bold colors of autumn. In his artistic oeuvre there are
also many depictions of the Catskill Mountains' landscape enveloped
in snow, as well as spring compositions with lilacs and blooming
apple trees. From
Woodstock, Wood went on sketching trips to New Hampshire, Vermont
and along the Maine coast. These subjects are also represented among
his Eastern scenes, but are much rarer than the hundreds of paintings
done of the Catskill Mountains. Wood
seems to have left Woodstock due to difficulties with his romantic
relationship with Rose Wood and her mother, who were determined
that the artist should share their religious convictions. So, according
to Larry Kronquist, Wood left the two women in the cottage in the
woods and returned to the art colony of Laguna Beach. |
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